The Wolf Man

TICKETS – $5

Repertory Screening

When practical, reasonable and logical Larry Talbot returns to Wales in order reconcile with his father, he finds himself facing an ancient curse both inexplicable and very deadly.

Perhaps one of the most fondly remembered titles in the Universal Monsters cannon, this deserving classic is a prime example of the best of genre. Lon Chaney is Lawrence Talbot – a logical and intelligent man who is forced to return home to Wales after the death of his brother.

Although his aim is to reconcile with their father, Larry finds himself at the mercy of an ancient curse after a chance encounter with a strange wolf-man creature – now he is forced to roam the village at night as a vicious beast, trying to contain his blood lust.

An excellent, intelligent exploration of the contrast between the old world and the new – this classic tale serves as a warning to folk who forget that there’s some truth behind the folktales of old.

Expertly directed by George Waggner, the film features excellent special effect sequences, especially during the transformation of man into wolf-man as well as establish some of the base rules of the folklore which were to be a solid part of cinema in the years to come.

Chaney gives an excellent performance – not only as Larry Talbot but also as the wolf-man, using his acting skills to establish the nature of the beast as well as augmenting the creation with the use of some nifty make-up skills.

Although many sequels and remakes would become part of the series, it’s not hard to remember why we fell in love with such a beautiful film: a terrifying, well-made tale designed to project the best of the studio system – a must-see on the big screen!

Evrim Ersoy

Guests: TBA

Director: George Waggner
Country: United States
Runtime: 70 minutes
Year: 1941

The Crazies

 FREE Screening / No Advance Tickets: Tickets available from Egyptian Theatre box office day of show starting at 2pm; 2 tix per person max.

Presented by Cinematic Void – US Premiere

Double Feature with MARTIN

A manmade combat virus overtakes the citizens of a small Pennsylvania town, turning the people into psychopaths. The military attempt to quarantine the residents before the virus spreads further.

After unsuccessfully attempting to stretch out from the confines of the horror film with THERE’S ALWAYS VANILLA and SEASON OF THE WITCH, George Romero returned to the genre while riffing on his landmark first feature, NIGHT OF THE LIVING DEAD.

While THE CRAZIES and NIGHT both share a similar premise and small Pennsylvania town setting, Romero isn’t making a carbon copy of his previous success.

NIGHT featured an unknown incident that created the horde of the living dead. The genesis of THE CRAZIES on the other hand is crystal clear. A military accident unleashes a virus upon a small town infecting the majority of the population. The lucky ones die right away, the others become savage lunatics.

Trying to prevent this incident from turning into a full-blown pandemic, the army quickly swoops in to contain the situation by any means necessary. However, not everyone in the town has become infected.

A small group with former Green Beret, David, his pregnant wife Judy, his friend Clank, and a strange father and daughter duo of Artie and Kathy (played by 70s horror queen Lynn Lowry) try to escape the Military quarantine. Not only must deal with the infected, but also with the soldiers who are ordered to shoot first ask questions later.

While Romero is much beloved as an iconic horror filmmaker, one of his greatest assets is his skills as an editor. He’s quick cutting gives THE CRAZIES a frenetic energy to the action. It’s a master class in Eisenstein Soviet montage that relays visual information quickly and drives the narrative at break neck speed.

Just as he expanded upon the ideas of NIGHT OF THE LIVING for THE CRAZIES, Romero would use this film as springboard for DAWN OF THE DEAD a five years later. But THE CRAZIES stands on its own out side of Romero’s living dead films.

While it might not have the same esteem as its zombie brethren, it’s truly a remarkable piece of regionally made exploitation cinema.

James Branscome

Special Thanks to Arrow Video

Plays in the Shudder Theatre @Egyptian

Brand New 4K Restoration Courtesy of Arrow Video

Director: George A. Romero
Country: USA
Runtime: 103 minutes
Year: 1973